Manifesto
1) "RADIO KYOTO" around 2000, 18 tracks, about 80 min.
The Debut, rumbling and untamed, weird and dadaesque.
2) "Spurwexel" 2003, 15 tracks, about 77 min
Something like a concept - album, like a
soundtrack and
carefully planned.
3) "Hallux Valgus" 2003, 20 tracks, about 70 min.
Noise meets rock music. Rumbling and rude.
4) "3N3RGI3" 2004, 18 tracks, about 80 min.
A good mix with lots of brainwork.
For the first time we did audio mix and production totally
by ourselves. This CD was a deep cut for us.
5) "acousticide" 2006, 13 tracks, about 77 min.
2 Keyboards + lots of filters, effects, knobs.
Electronical, of course. Very straight.
6) "Music from Airportz"- live CD/DVD 2007
Recorded during our performance at Hörbar, St Pauli,
Hamburg.
CD: about 45 min, 3 sections, Mono. Fieldrecordings and
manipulation + metal scraps.
DVD: Live DVD, musik according to CD, + 45 min
lightprojections which were used.
7) "13 Gedichte über Magnetismus" 2009, 14 tracks, 77 min.
A new beginning. New Equipment, new
horizons, new sounds.
Dark, partly very electronical, unpleasent - no musical
diet.
8) "Magnetismus Variationen" 2009, 5 tracks, about 73 min
The essence of „13 Gedichte...“ in a live situation.
9) "Lieder aus der Wühltheke" 2010, 24 tracks, 80 min.
Mostly unplugged. Using all kinds of old and partly defunct
musical instruments plus industrial waste. The tracks have
classical song structure and lyrics. Far from perfection,
but with a charm of it`s own
10) "Rot", 2013,15 tracks, about 68 min.
Rediscovering the Punk roots. Rude and simple electronic
rhythm plus lyrics plus heavy guitars.
11) "Ekranoplan", 2014, 15 tracks, about 75 min.
Industrial and technical devices meet Jazz and audioscenes.
Partly strange and disturbing, partly a sound adventure.
12) "Die Industrial Suiten", 2016, Double CD.
CD1: Live, 43 min, 1 track.
CD2: 7 tracks, 79 min.
Kind of post - industrial music. Lots of metal scraps,
industrial waste, electronic and sound effects creating a
"wall of
sound".